10 best films of the history of cinema according to the 358 directors
Cinema / / December 19, 2019
Superb and touching "Tokyo Story" allows the viewer to experience the conflicts and misunderstandings that arise in our time among family members.
This movie I watched more than any other. Forty or more. He changed my life when I discovered it in seven years in Buenos Aires. This was my first experience of mind-bending, a turning point for the artistic perception. Without this movie, I would not director.
A riot of imagination in Wells 'Citizen Kane' is amazing and inspiring. Great work of cinema with an important social connotations, served with incredible entertainment. The mood of the film, as always, exciting and energetic. His intense story simply can not disappoint.
"Eight and a half" - a film that I watched in the cinema three sessions in a row. It's chaos in its most elegant form and intoxicating. You can not take your eyes off the screen, even if you do not understand what all goes. Proving cinema: you do not really catch the essence, but still give up and let yourself inspire.
The film is so bright, hypnotic and pungent, it seems that he always leaves a mark on your eyeballs. "Taxi Driver" turns the city, time and state of mind in a true nightmare, frighteningly real and at the same time a ghost.
Coppola showed incredibly tense, gloomy personality dive at exorbitant depth. Savagery and nihilism - all sealed in a dramatic and substantive narrative. The work of the highest complexity. Masterpiece.
Classic, but I'm from it is never tired. The scenario is holistic, and the story of Michael - one of the best adventure story that when the world has ever seen.
If the "Vertigo" remains the undisputed masterpiece of Hitchcock, it is precisely because of the fact that the unknown and incomprehensible in it is not just scary, but at the same time retains a deep and thrilling appeal.
I was about 13 years old when I first saw "The Mirror". Then I realized that there are films, which are not intended to be "understood." It is poetry film in its purest form, a very fine line pretentiousness that makes it even more astonishing genius.