Scenography - course 400,000 rub. from the British Higher School of Design, 1 year training, Date: December 4, 2023.
Miscellaneous / / December 06, 2023
Design engineer-technologist of garments with more than 30 years of experience in the industry.
PROFESSIONAL EXPERIENCE:
2008 - present time, head of the “Fashion Design” workshops at the Belarusian Higher School of Art and Design, technologist and designer of garments in the Fashion program.
2010 - 2011, was directly involved in the creation of collections by Clare Lopeman, curator of the Fashion program, (www.clarelopeman.com).
Teacher of technology and clothing design in the programs:
- DOBK, 2015
- TKO PO DPO, since 2015
- Fashion, since 2017
2005 - 2006, production manager at KB-Lastochka LLC, specializing in the production of children's and teenage clothing for sports and leisure, knitwear and raincoats assortment.
2003 - 2004, head of the sales department at Avangard LLC, specialization - wholesale of Turkish fabrics and knitwear.
1988 - 2002, OJSC Moscow Fashion House V. Zaitsev".
1998 - 2002, head and leading technologist of the licensing department.
1996 - 1998, senior technologist of the production department.
1994 - 1996, technologist of lightweight women's clothing.
1988 - 1994, tailor of light women's clothing.
EDUCATION:
1988 - 1994, VZITLP, Moscow, Faculty of Technology, engineer-designer-technologist of garments.
1985 - 1988, college No. 113, tailor of women's light dresses.
ADDITIONAL EDUCATION:
2017 - Gerber Technology ACCUMARK.
2016 - dummy modeling method, “Fashion Cut Studio” by Irina Sycheva.
2007 - short-term further education program “Fundamentals of Entrepreneurship Using a Software Simulation Model of a Small Enterprise” at the Moscow Institute of Economics, Management and Law.
1998 - foreign language courses, “Higher Intermediate Level” (English).
1994 - makeup courses, qualification - makeup artist, Inter-Service College.
Artist, set designer, curator of the Scenography program at the BHSAD. Winner of the Golden Mask Award.
Artist, set designer and fashion designer.
Recognized world artist of theater and cinema. As a set designer and costume designer, she has designed dozens of performances in Russia and around the world. Works with the most advanced directors and choreographers of modern Russian and European theater, such as Kirill Serebrennikov, Maxim Didenko, Timofey Kulyabin, Philip Grigoryan, Vladimir Varnava, Yuri Kvyatkovsky, Yuri Muravitsky, Anna Abalikhina, Sebastian Welker, Ekaterina Evangelatos, Michael Lockshin and others.
Education
In 2003 she graduated from Moscow State Technical University named after A.N. Kosygina (Moscow), majoring in “Artistic Costume Design”, in 2005 she graduated with a master’s degree from the Central College of Art and Design of St. Martin (Central Saint Martin’s College of Art and Design, London) with a degree in Scenography.
Professional activity
2001 – co-founder and designer of the clothing brand ALOE (Moscow)
2005-2007 – art director and set designer at Future Cinema and Secret Cinema (London)
2006 – guest lecturer at the Institute of European Design in Sao Paulo, Brazil.
2007-2011 – lecturer in fashion at the British Higher School of Design
2011 – founder and ideologist of the Chelovek Theater Laboratory in the Suzdal region.
2014 – curator of the Scenography program at the British Higher School of Design.
Production designer, set designer and costume designer for theater and cinema
2022 – “The Servant of Two Masters” Pushkin Theater, Moscow, dir. Yuri Muravitsky.
2021 – Opera “Il re Teodoro in Venezia” Musiktheater im Revier, Gelsenkirchen, dir. Sebastian Welker; “The Inspector General” Drama Theatre, Warsaw, dir. Yuri Muravitsky.
2020 – “Collected Works” Sovremennik Theatre, Moscow, dir. Victor Ryzhakov.
2019 – Opera “Rusalka” State Academic Bolshoi Theater of Russia, dir. T. Kulyabin, Moscow; “Norma” Theater on Malaya Bronnaya, dir. Maxim Didenko, Moscow; “Tertuffe” Taganka Theater, dir. Yuri Muravitsky, Moscow; Cinema "Silver Skates" dir. Michael Lockshin.
2018 – “Mayakovsky” Gogol Center, dir. Philip Grigoryan, Moscow; “Text” Ermolova Theater, dir. Maxim Didenko, Moscow; “In the Pole of Cold - stories from the Gulag” Residenz Theater, dir. T. Kulyabin, Munich, Germany; “Izadora” choreographer V. Barnabas, Los Angeles, USA; Design of the Golden Mask Ceremony Moscow; “The Game” Theater of Nations, dir. I. Gyrdev, Moscow; "The Girl and Death" dir. Maxim Didenko, London.
2017 – “Heart of a Dog”, The Comedian’s Shelter, dir. Maxim Didenko, St. Petersburg; “Yaroslavna. Eclipse" Mariinsky Theatre, choreographer V. Varnava, St. Petersburg; “Petrushka” Perm Opera and Ballet Theater, choreographer V. Varnava, Perm; opening ceremony of World EXPO 2017 Astana, Kazakhstan; “Rigoletto” Opernhaus Wuppertal, dir. T. Kulyabin, Germany.
2016 – Opera “Don Pasquale” State Academic Bolshoi Theater of Russia, dir. T. Kulyabin, Moscow; The play “Pasternak. My Sister Life” Gogol Center, dir. Maxim Didenko, Moscow; ballet “Le Baiser de la Fee” Les Ballets de Monte-Carlo, Opera Garner, choreographer V. Barnabas, Monaco; “Chapaev and Emptiness” Praktika Theater, dir. Maxim Didenko, Moscow; play "Tartuffe", dir. Philip Grigoryan, Moscow.
2015 – Opera “The Tales of Hoffmann” Perm Opera and Ballet Theater, dir. K. Evangelatos; play “Earth” New Stage of the Alexandrinsky Theater, dir. Maxim Didenko, St. Petersburg.
2014 – “Awakening” New Stage of the Alexandrinsky Theater, St. Petersburg, choreographer Anna Abalikhina; "Shakespeare. Labyrinth” Theater of Nations, Moscow, director Philip Grigoryan; “Normansk” Meirhold Center, Moscow, director Yuri Kvyatkovsky; "Tannhäuser" Novosibirsk Opera and Ballet Theater, Dir. Timofey Kulyabin.
2013 – Christmas pantomime “Cinderella” (Circus on Fantank, St. Petersburg, dir. M. Didenko, artistic director V. Polunin); “Heroids. Dance Letters" (School of Dramatic Art, choreography by A. Garafeeva); performance-installation “Ashdvao” (ThreePlay Theater Laboratory Suzdal 2013).
2012 – play “Waves” by V. Sorokin (“Polytheater”, Moscow, dir. E. Boyakov); play “Anna Karenina” (Perm Academic “Theatre-Theater”, dir. IN. Zolotar); opera “Malachite Box” (Perm Opera and Ballet Theater, dir. ABOUT. Enns); opera “Medea Material”, (Perm Opera and Ballet Theater, dir. F. Grigoryan).
2011 – opera “The Human Voice” by F. Poulenc (Perm Opera and Ballet Theater, dir. F. Grigoryan); opera “The Golden Cockerel” (State Academic Bolshoi Theater of Russia, dir. TO. Serebrennikov); special project of the festival Territory symphonic stage composition “Full Moon” (Sochi - Kazan, dir. F. Grigoryan).
2010 – “Uncle’s Dream” F. Dostoevsky (Perm Academic Theater-Theater, dir. B. Milgram and F. Grigoryan, producer E. Boyakov); "Field" P. Pryazhko (“School of Modern Play”, dir. F. Grigoryan).
2009 – “Chukchi” by P. Pryazhko (Stage-Hammer Theater, Perm, dir. F. Grigoryan); "Agatha Returns Home" L. Goralik (co-production of the Scene-Hammer Theater and the Praktika Theater, dir. E. Boyakov and F. Grigoryan); Black Dog (Flamingo Feather Physical Theatre, London).
2008 – “Three Lectures” (Natalia Shirokova Contemporary Dance Theater).
2007 - No Exit (directed by Dina Husein and Anna Abalikhina).
2006 – The Trunk (Battersea Arts Centre, London, own production).
2005 – Shlem.com by V. Pelevin (Theater Center “On Strastnom”, dir. AND. Montvilaite); Traces (own production, Cochrane Theatre, London).
2002 – “Parasite” M. von Mayenburg (Theater Center named after. Meyerhold, dir. AND. Montvilaite).
Exhibitions
2012 - 2020 Exhibitions of theater artists “Results of the season”.
2015 - Total installation “Dedication to the Black Square”, Tretyakov Gallery on Krymsky Val, Moscow.
2014 - Installation “Dreams about Heaven”, VDNKh Park, Moscow.
2013 - Burning sculpture “Winter String Bag” (Central Gorky Park of Culture and Leisure, Moscow).
2012 - Scenography for the exhibition “Cinema Factory” by Michel Gondry, Garage Museum of Contemporary Art; Total Installation-performance “Dump”, (Territory Festival 2012, Moscow), Installation “Triangular Forest” (Bright People Festival, Moscow).
2011 – Performance “I’m Earth”. Gallery on Solyanka. Exhibition of Russian Performance “9 days”. Under the auspices of the fourth “Moscow Biennale of Contemporary Art”.
2005 – Performance “Onion”, First “Moscow Biennale of Contemporary Art”.
Awards
- laureate of the Golden Eagle Award 2021 for the best movie costumes, work as a costume designer in the movie Silver Skates;
— winner of the Nika Award 2020 for the best movie costumes, work as a costume designer in the movie “Silver Skates”;
- laureate of the Golden Mask Award 2020 for best costumes in the Musical Theatre;
— laureate of the “Breakthrough 2015” award in the “Best Artist” category for the creation of scenography and costumes for the play “Earth” (Alexandrinsky Theater, director Maxim Didenko);
— multiple nominee for the Golden Mask Award;
— best performance in the “Modern Dance” section of the “Golden Mask 2014” award;
— “Full Moon” — the best performance in the “Experiment” section of the Golden Mask 2013 award;
— winner of the Texture Festival 2010 in the category “Best Artistic Work”;
— British Council Chevening Fellow 2004;
- prize-winner of the Russian Silhouette competition 2002.
Artist, set designer, curator of the Scenography program at the BHSAD. Winner of the Golden Mask Award.
Education
2014 – international theater seminar as part of the Avignon Festival
/premier of the Swiss Council of Culture / France
2003 – Faculty of Design (KhTOPP) Moscow University of Printing (Poligraph) /
Moscow
An artist known for his integral approach to scenic and
performing arts. Ideologist of visual dramaturgy. Circle of Creatives
interests are focused on experimental theater, working with contemporary
texts, complex narratives, soundart, synthesis of genres and non-standard
theater technologies.
As a set designer and costume designer, he is the author of many performances
experimental forms in collaboration with directors such as Yuri
Kvyatkovsky, Ivan Vyrypaev, Volker Schmidt, including iconic hip-hoppers
"Cops on Fire." Winner of the Gold Medal and author of the Russian exposition of the main
exhibitions in the field of scenography and theatrical architecture Prague Quadrennial.
Winner of the Breakthrough Award in the Best Theater Artist category. Member and
lecturer at Russian and international exhibitions and festivals.
Professional experience
since 2009 – Chief artist of the independent creative group Le Cirque de Charles la
Tannes
2004-2006 – art director of international advertising agencies (Euro RSCG, BBDO)
Teaching activities
since 2014 – curator of the Scenography program, British Higher School of Design.
since 2015 – teacher of the Stage design discipline, British ArtsCool.
since 2016 – guest lecturer at the Tbilisi Biennale of Scenography / Georgia.
2018 – director-teacher at the STD Summer Theater School, Experiment laboratory.
2019 – curator of the author’s educational program “Space Practices” of the V-A-C Foundation as part of the Strange Circles project.
Performance designer
– “Skid” based on the play by Vladimir Sorokin, dir. Yuri Kvyatkovsky / Praktika Theater, Moscow, 2019.
– “The Hairdresser” by Sergei Medvedev, dir. Ruslan Malikov / Moscow Art Theater named after. Gorky,
Moscow, 2018.
– “Zarnitsa” by Andrei Rodionov and Ekaterina Troepolskaya, dir. Yuri Kvyatkovsky.
– Workshop of Dmitry Brusnikin / Center named after. Meyrhold / Moscow.
– “Laboratory of Language”, Summer Theater School STD, Laboratory Experiment, dir. Polina Bakhtina and Yan Kalnberzin / Moscow, 2017
– Promenade-opera “The Queen of Spades” by Pyotr Tchaikovsky, version 2.0, dir. Alexandra Legchakov / Moscow Opera House, Moscow, 2016.
– “Orpheus and Efridike” by hip-hopper Noize MC, dir. Yuri Kvyatkovsky. Tesla 4000 /
Moscow.
– “Dvoytsa” plastic multimedia performance based on V. Kandinsky /
Tretyakov Gallery on Krymsky Val / Moscow, 2015.
– Promenade-opera “The Queen of Spades” by Pyotr Tchaikovsky, dir. Alexander Legchakov /
Troika Multispace, Moscow.
– “Svan” by Andrei Rodionov and Ekaterina Troepolskaya, dir. Yuri Kvyatkovsky /
Workshop of Dmitry Brusnikin / Center named after. Meyrholda, Moscow.
– “One Should Be Grateful” by Volker Schmidt, dir. Volker Schmidt / Praktika Theater, Moscow, 2014.
– “Alexander Golovin” total installation-performance / Night of Museums in
Tretyakov Gallery on Krymsky Val / Moscow, 2013.
– “Mila,” a play-film based on the play by Evgeny Kurochkin on the Dozhd TV channel / Moscow
– “Sugar” project by Ivan Vyrypaev and Kazimir Liske / Moscow.
– “A Doll’s House” based on the play by Henrik Ibsen, chief editor Andrey Stadnikov, director. Yuri Kvyatkovsky / Theater "Comedian's Shelter" / St. Petersburg, 2012.
– “Blindness” as part of the Three Plays festival. Assembly hall / Moscow, 2011
– “The Crystal World” based on the story by Vladimir Pelevin. Theater Center on
Strastnoy, Cirque de Charles la Tannes / Moscow.
– “Class of the World”, social art project, performance based on children’s plays. Winter Theatre, Sochi, 2010.
– “Cops on Fire” by hip-hopper Alexander Legchakov, dir. Yuri Kvyatkovsky / Theater
Mayakovsky, Theater Center on Strastnoy, RAMT / Moscow, 2008.
– “The Hairdresser” by Sergei Medvedev, dir. Ruslan Malikov / Praktika Theater /
Moscow, 2007.
– “Product” by Mark Ravenhill, dir. Alexander Vartanov / Praktika Theater / Moscow.
Exhibitions and awards
– Nominee for the “Golden Mask 2020” award, nomination “Work of the Artist” in the play.
– “Zarnitsa” / Moscow 2020.
– Gold medal of the XIII International Exhibition of Scenography and Theater
architecture "Prague Quadrennial 2015". Author of the Russian pavilion "Prague"
Quadrennial 2015" (in a team with Jan Kalnberzin) "Meyerhold's Dream" / Prague.
– Winner of the “Breakthrough” award in the category “Best Theater Artist” for
scenography and costumes for the play “A Doll’s House” / St. Petersburg 2014
Winner of the BookILL Fest / Serbia 2016.
– Prize-winner of the international theater seminar within the framework of the Avignon Festival, Swiss Council of Culture / Avignon 2014.
– “Best Theater Designer” Winner of the “Breakthrough” Award for scenography and
costumes for the play “A Doll’s House” / St. Petersburg 2014.
– Exhibitions of theater artists “Results of the season” / gallery “Mars” 2014, Maly Manege 2010-2012.
– Exhibition of theater artists within the framework of the First Theater Youth
forum / Chisinau, STD 2012.
– Laureate of the International Festival of Book Arts CJ Book Festival / Korea 2011.
– Exhibition as part of the Non-fiction festival / Moscow Central House of Artists 2010, 2011.
– Grand Prix of the “Textura” festival for the play “Cops on Fire” / Perm 2011.
– Artemy Troitsky Prize “Steppenwolf” / Moscow 2010.
– Exhibitions of book artists in the House of Artists on Kuznetsky Most / Moscow 2002, 2003.
– Grand Prix of the Kuryokhin Festival / St. Petersburg 2009.
– Twice representative of Russia at the Cannes Lions / Young Creators Competition 2006, 2008.
– “Golden Apple” at the 15th MIFF / Moscow 2006.
– Winner of the competition of the Association of Book Publishers of Russia / Moscow 2003.
Festivals
2017 – festival “Outline” / Moscow
2016, 2018 – Tbilisi Biennale of Scenography / Moscow
2015 – Prague Quadrennial of Performance Design and Space / Prague
2014, 2016 – Night of Museums
2011 – festival “Textura” / Perm
2009 – Bu!fest festival, Gallery on Solyanka / Moscow
2009 – festival named after. Sergei Kuryokhin “Electromechanics” / St. Petersburg
2009 – International Theater Festival Gogolfest / Kyiv
Multi-page projects
– “Meyerhold’s Dream” author’s comic / ed. STD 2015 Russian version / 2016
English version / co-authored with Jan Kalnberzin.
– “Heroic Tales” Sergei Georgiev / ed. Trimag 2013.
– “The Town Musicians of Bremen” by the Brothers Grimm, interactive edition / ed. Polybooka 2013.
– “The Eternal Tuck” by Natalie Babbitt / ed. "Pink Giraffe" 2012.
– “Visible-Invisible” by Valery Ordinartsev / ed. "Pink Giraffe" 2011.
– “Signs of Love and Its Endings” Martha Ketro / ed. "AST Astrel" 2011.
– “Velka’s Childhood” Alexey Oleinikov, ed. Golden Bee 2009 / ed. Polyandria 2016.
Students will become familiar with the history of architecture and scenography of ancient and Western European theater. It covers the period from ancient Greek tragedy to the end of the twentieth century. During the classes we will talk about how in different historical periods the theater turned into a place for presenting new technologies, then meticulously recreated the environment, or, conversely, took advantage of the space free from decorations and props scenes. The development of scenography and theater architecture will be examined in the broader context of theater history.
The course of lectures introduces the history of modern theatrical thinking, tracing the connection between various theatrical phenomena and innovative solutions from the beginning of the twentieth century to the present day. The program introduces the context of contemporary theater, gives an understanding of different directions, theatrical forms, develops the ability of critical thinking, analysis of a stage work, the ability to apply criteria on one’s own practice.
Introducing students to the basics of theater design. Analysis of the methodology for creating scenography and artistic solutions for performances, dance, cinema, installations and to the whole variety of directions that are included in the field of professional activity of theatrical artist. This includes practical skills for working with a stage work: creating sketches,
layouts, cut-ins, work with light, sound, implementation of live projects, rehearsals.
The discipline is designed to study planar and spatial composition, and various means of expression. One part of the discipline is built on working with a real volume - the scene layout, the other - on conveying the impression achieved in the layout using graphics. In addition to purely compositional means (statics and dynamics, scale, tonal and color contrasts, texture and texture) the program includes work with the basics of drawing - the use of line and tone, light and shade, conveying space by means graphics.
Familiarity with the technical side of the performance: work at various theater venues, the capabilities of stage equipment, norms and standards accepted in the theater. The section of the program dedicated to set production includes the study of basic traditional and modern theatrical technologies. Much attention is paid to the preparation of project documentation - sketches, drawings, technical descriptions.
The course is designed taking into account the specifics of the faculty: we consider not only the main milestones development of choreography of the 20th century, but at the same time we place significant emphasis on the development of scenography modern dance.
Using numerous video examples, we examine the work of famous choreographers experimenting with performance space, for example Loy Fuller, Alvin Nikolai, Trisha Brown, Philippe Decouflé, and others. Studying examples of creative collaborations such as Martha Graham and Isamu Noguchi, Merce Cunningham and Robert Rauschenberg, Angelen Preljocaj and Enki Bilal and others, students of the course can better understand the essence of working with choreographers and translate their ideas into real work with dance.
All classes are conducted on the basis of specific dramatic material. Directing schools of the 20th-21st centuries will be considered: Stanislavsky’s psychological theater, comedy dell arte of Vakhtangov, play theater of Mikhail Chekhov, biomechanics of Meyerhold, epic theater of Brecht and other. Analysis of a dramatic text, a method of effective analysis. Improvisation practice.
Describes the basic concepts in today's theory and practice of contemporary art. They influence both the description of works and the cultural landscape, and the methods of the artists themselves. Let us answer the questions: how did the concept of “cultural industry”, “curation”, “institutionalism” and, most importantly, “art” and “modernity” itself develop?
The main emphasis will be on the period that is usually characterized as post-socialism (the situation after 1989). Using the work of artists, texts of curators and theorists as an example, it will be possible to form a basic picture of what is happening in the world today contemporary art, what actors form this system and what promising problems and crises are facing artistic community.
A course of lectures and practical tasks to familiarize yourself with the profession of a lighting artist, the principles of interaction with production designer and director, types of lighting equipment and stage technical equipment spaces. Light is one of the important tools in the score of the scenographer for creating the atmosphere, environment of existence, and dramaturgy of the work. The objective of the course is to apply the acquired theoretical skills in practice, compose and implement lighting scores in your course assignments and graduation project.
An introductory course of lectures and practical exercises to familiarize yourself with the methods and techniques of creating a layout and scenographic cutting. Students will learn to understand the variety of materials, techniques and scales used to create professional layouts, and will receive the necessary knowledge base to apply them in practice.
The history of a dramatic work in general and the relationship between the laws of its construction and stage execution in particular are considered. The emphasis of the course is on the analysis of texts of a new drama, as well as on the creation of projects without a literary basis. The goal of the course is the ability to navigate the structure of modern plays, research and select non-theatrical material for
productions, as well as understand the principles of dramatic assembly of modern productions.
The program includes a large number of master classes with leading Russian and international experts. Among the experts are Irina Korina, Ekaterina Bochavar, Anna Titovets (Intektra), Nana Abdrashitova, Anastasia Nefedova, Zinovy Margolin.